Wednesday, December 7, 2016

Lars Ulrich's Take on Aging and Playing Thrash Music

Age is the one thing that creeps up on everybody, and for Metallica's Lars Ulrich, he worries about Father Time taking a toll.

In an interview on CBC Radio show 'Q', Ulrich wondered out loud if he and rest of the band will be able to hammer out some of their faster songs as they age into their 60s and 70s.

"Whether we can do the 'Fight Fire's' and the 'Battery's' and the 'Master Of Puppets' and all that in our mid-60s and our early 70s remains to be seen," said Ulrich, who turns 53 on Boxing Day.

"And there's kind of a second part to that, which is that if… I mean, we may be able to still play them — do you know what I mean? — but whether we can bring the weight and whether we can bring the energy and whether we can bring the attitude that those songs deserve in our 60s to 70s, I have no idea," Ulrich continued. "Hopefully we'll have enough clarity to be able to tell if it's not working, to walk away from it graciously and respectfully. But right now we're fine, and we've played some of our best shows in the last couple of years, and I think there's still a bit left in the engine. But whether we can do it in our 70s… hopefully we'll get a chance to find out."

Drumming Takes a Physical Toll

Metallica fans will note that, over the years, Ulrich's drum kit has gotten smaller and smaller. When playing live, he certainly doesn't throw in all the drum fills from the recordings, instead focusing on keeping time.

Not many bands have 70-year-old drummers. Charlie Watts of the Rolling Stones comes to mind, and he's 75. Now Watts isn't pounding out 200 beats per minute, but you get the idea that a drummer must be physically in-shape to play.

In fact, part of the reason Rush retired from touring was because drummer Neal Peart suffers from chronic tendonitis and shoulder problems, making him unable to properly play the complex parts he wrote as a younger man.

Ulrich noted he wants Metallica to go on for as long as possible, but can't predict the future.

"When people ask me to look into the crystal ball into the future: 'What do you think? Are you still gonna be playing…?'" he said. "It's the great, big unanswered question. Mentally, creatively, spiritually, aesthetically, we'll go for another hundred years [and] we're fine. Physically, obviously, it's the big question.

When touring, Metallica employs a couple of physical therapists to keep the band going.

It's actually kind of pathetic. People come backstage [and ask], 'Where's the Jack Daniel's?' There's no Jack Daniel's. It's brown rice and nasty protein shakes and a couple of trainers that are stretching us and stitching us back together again after the show," said Ulrich. "But at least we're still playing, and at least we're still functioning, and at least it still has some of the weight that it used to. So, so far so good, so we'll see where it takes us."

One drummer who comes to mind that's still playing at a frenzy is Iron Maiden's Nicko McBrain, who is now 64 years old, and never misses a fill.

Only time will tell how long Ulrich can keep it going. You've gotta figure he's got at least another 10 years in him.

Tuesday, December 6, 2016

Five of the Best Metal Christmas Songs

Since it's just a few weeks until Santa comes to town, we decided we'd have a ourselves a heavy metal Christmas. That means checking out five of the greatest metal Christmas songs ever recorded. So here they are, in no particular order, including a classic from Christopher Lee, the actor who played Saruman in Lord of the Rings.

God Rest Ye Merry Gentlemen

Ronnie James Dio and Tony Iommi take this 1760 carol and turns it into a metal masterpiece that's found on the 2008 We Wish You a Metal Xmas and a Headbanging New Year album. That's Rudy Sarzo on bass and Simon Wright playing drums. Dio's delivery is amazing, and Iommi's guitar is thick and haunting, reminiscent of his sound on The Mob Rules.

Run Rudolph Run

This version of "Run Rudolph Run" also comes from the We Wish You a Metal Xmas and a Headbanging New Year record. Lemmy sounds like he was into the Christmas spirits and probably had about 10 or 12 pints in him when they recorded the track. Dave Grohl pounds the kit, while Billy Gibbons brings that bluesy, rocking guitar tone. You can imagine those three having a great time recording this Christmas standard. Turn this one up!

No Presents For Christmas

Trust King Diamond to lull us all to sleep at first with this song, which opens with elevator music renditions of Christmas carols, then kicks into high gear with his piercing, evil laugh. All hell breaks loose from there as the riff cranks in definitive King Diamond fashion. A highlight of the song comes near the end when the band starts playing "I'm Dreaming of a White Christmas" and King Diamond sings "I'm dreaming of a white Sabbath". Classic stuff. The song was released on Christmas Day in 1985 as a single, the first with his new band after Mercyful Fate broke up. You can find "No Presents For Christmas" on the re-issue of his Fatal Portrait album.

The Little Drummer Boy

Seemingly from out of left field, the late and acclaimed English actor Christopher Lee put out a metal Christmas EP in 2012 called A Heavy Metal Christmas. The man who played Saruman in Lord of the Rings delivers a stellar blast of chugging riffs and heavy drums with his baritone voice for this Christmas classic. Turns out Lee, who died in 2015 at the age of 93, was a huge metal fan dating back to the 1970s when he heard Black Sabbath. He also recorded several traditional heavy metal albums of his own.

Red Water (Christmas Mourning)

A song many may not have heard before, Type O Negative's "Red Water (Christmas Mourning)" is a classic, gothic track from the Brooklyn band off their October Rust album. Late vocalist Peter Steele delivers this song of Christmas mourning with his typical dark rumbling, while the lyrics speak of a bleak, black Christmas that's anything but joyous. "The stocking are hung, but who cares" and "Goddamn ye merry gentleman" are a couple of snippets speaking to the depression of the narrator during the most wonderful time of the year.

Tuesday, November 29, 2016

Five of the Greatest AC/DC Songs with Bon Scott

Let's face it, selecting five of the best songs from the AC/DC canon during the Bon Scott era is a tough task, especially considering they are all good tracks. Pretty much every song off those first six studio records is very good. Over time though, some songs, like "Highway To Hell" are overplayed to death. Others, like "It''s a Long Way to the Top (if you wanna rock 'n roll)" get kinda boring after all these years. As an AC/DC fan since 1984, these songs are five of the best they recorded with the great Bon Scott on vocals and writing the lyrics.

Gimme A Bullet

From the 1978 masterpiece Powerage record, "Gimme A Bullet" features a great groove and Bon Scott wailing about a lost love. The way the verses flow with the song is amazing: Don't need no drink, don't need no drugs. Don't need no sympathy. Sooner or later, send me the bill for what she's doing to me. Operator long distance lips on the telephone" are vintage Scott lyrics with this smooth delivery. An interesting aspect of this track is there's no guitar solo.

Down Payment Blues

Boasting one of Malcolm Young's finest riffs, "Down Payment Blues" is another stellar track off the Powerage album. Again, Scott delivers some classic lyrics like "I know I ain't doing much. Doing nothing means a lot to me. Living on a shoe string, a fifty cent millionaire. Open to charity. Rock 'n' roller welfare." But what makes it such a great song is the way it builds from verse to verse, then getting more and more intense after the middle break, until the final stanza features Scott wailing, while behind him, the band is absolutely cranking it out.

Whole Lotta Rosie

A staple of AC/DC's live shows since it emerged on the Let There Be Rock record, "Whole Lotta Rosie" is a tour de force, especially the live version off If You Want Blood, You've Got It. The riff absolutely churns in a non-stop frenzy, while Scott stretches his vocal chops singing about sex with a larger woman. Face it, most of us have converted 19 stone to pounds (266 lb.).

Live Wire

"Live Wire" is probably one of the first AC/DC songs many people heard back in 1976, as it featured on their first international album release High Voltage, and was usually the opening track for all their shows during the Bon Scott era. It's a classic AC/DC song with the bass intro, slow riff opening, then it kicks into high gear when Phil Rudd's drums kick in. Naturally, Scott provides some hilarity in the lyrics: "Go stick this in your fuse box".

Love Hungry Man

Certainly one of the band's most unheralded songs (and probably the first time it made a "Best of List"), "Love Hungry Man" really shows the influence Highway To Hell producer Mutt Lange had on the band where the gang vocal on the chorus plays a prominent part in the song. It also showcases Scott's voice hitting the highest notes in his vocal range, especially in the final 40 seconds of the song, when Scott is literally screeching. In fact "Love Hungry Man" and "Night Prowler", the final two tracks on Highway To Hell, are two of the best on that album.

Check Out How Bon Scott got his raspy voice

Thursday, November 24, 2016

How Slippery When Wet Took Bon Jovi To The Top

What do you do when you're a hard rock band in the mid 1980s making decent music, but no one's buying it?

You bring in a guy with a proven track record for writing hit songs, along with a producer who can get you a radio-friendly sound for your hard rock anthems. And that's just what Bon Jovi did for their monster 1986 album Slippery When Wet.

After the lackluster reception for 1985's 7800° Fahrenheit, despite touring, along with some video and radio play for "In and Out of Love" and "Only Lonely", Jon Bon Jovi, the rest of the band and the record company felt they could do better and take it to the next level.

So their label, Mercury Records, decided to bring in noted songwriter Desmond Child to help Jon Bon Jovi and guitarist Richie Sambora pen a few tracks. Child had helped KISS pen their disco hit "I Was Made for Lovin' You", as well as "Heaven's on Fire".

Additionally, Bon Jovi sought out Canadian Bruce Fairbairn to produce the record after loving the sound of Fairbairn's work on Black 'N Blue's "Without Love". At the time, Fairbairn was a relatively little known producer who had worked with Blue Oyster Cult, Prism and Loverboy.

When working on Slippery When Wet at Vancouver's Little Mountain Sound Studios, Fairbairn had his protege, none other than Bob Rock, handle the engineering and mixing duties.

So Jon Bon Jovi, Sambora and Child hunkered down in the basement of Sambora's mother's New Jersey home and ultimately crafted four tracks for the record, including the bands breakthrough single "You Give Love A Bad Name", the huge "Livin on a Prayer". Both of those songs would shoot up the charts to No. 1, making it the first time in history a hard rock band would have two consecutive No. 1 hits on Billboard's Hot 100 chart. Interestingly, Jon Bon Jovi didn't think "Livin' on a Prayer" should be on the record, while Sambora lobbied heavily for it, knowing it would be a hit. The other two songs written with Child were "I'd Die For You" and "Without Love".

In terms of the other songs on the record, the writing collaboration of Bon Jovi and Sambora found a new groove on one of the band's best songs "Wanted Dead or Alive", the third single released, and "Let It Rock", another stellar track. They also perfected the art of crafting power ballads with the soppy "Never Say Goodbye", which has become a staple at high school graduation dances.

Slippery When Wet: Homage to a Vancouver Stripclub

Slippery When Wet was recorded in the spring of 1986 and when they weren't grinding it out in the studio, the band, naturally, partied hard and frequented the local establishments in Vancouver, including some well known strip joints. Their favourite was the No. 5 Orange Stripclub, where the girls would get soapy on stage. That club became the inspiration for the album title.

In terms of sound, Slippery When Wet boasts a distinct low end, while the drums sound rather tinny, especially the snare sound. The keyboards are at times too loud in the mix, which is otherwise very good. The big gang vocals found on many of the songs' choruses were all the rage in the mid-80s (hear Def Leppard) and this record features plenty of that. Overall though, it was the sound of radio-friendly hard rock in the mid-80s.

Propelled by the hit singles and almost a year and a half of touring, Slippery When Wet easily went platinum in the U.S., and has gone on to sell some 15 million copies worldwide, putting it among the best selling hard rock albums of all time.

Tuesday, November 22, 2016

The Five Hottest Women in Heavy Metal & Rock

While the world of heavy metal and hard rock music is male-dominated, there are many, many talented women and female bands cranking it out there as well. And most of them look good doing it. From the days of Wendy O. Williams to Joan Jett to Lita Ford up to right now, where artists like Maria Brink and Cristina Scabbia are big names, rock 'n roll women are kicking ass. Check out our top five hottest women in metal right now.

Maria Brink from In This Moment

Unquestionably one of the best looking and most talented woman in metal today, Maria Brink is the frontwoman of In This Moment, a band hailing from Los Angeles. Brink is a multi-talented artist, acting as the band's principal songwriter, while also being a very competent piano player. The 38-year-old has also been a featured vocalist on an number of songs by other bands, including Five Finger Death Punch's "Anywhere but Here", and "Gravity" by Papa Roach.

Alissa White-Gluz from Arch Enemy

Alissa White-Gluz has taken over the vocal reins from former Arch Enemy frontwoman Angela Gossow (who tabbed White-Gluz as her replacement) and run with them. With her girl-next-door looks and metalcore vocal delivery, White-Gluz, a Canadian who hails from Montreal, has done a superb job as Gossow's replacement. You'll find her work on Arch Enemy's War Eternal and the Stolen Life EP. She is also the band's main lyricist and recently signed a deal with Napalm records to release a solo album that's due out sometime in 2017.

Heidi Shepherd & Carla Harvey from Butcher Babies

Harvey (the brunette) and Shepherd (the blonde and sometimes redhead) are co-vocalists for the Butcher Babies (taken from a Wendy O. Williams song), a thrash metal band out of L.A. Both lovely ladies boast the caustic metal growl, while describing their music as "slut metal" as a means to get across that they're doing what they want, when they want. O. Williams is a major influence, while other influences like Joan Jett and Gwen Stefani are two women who have defied male dominance in music. Over the years they've changed their look, but have kept the music heavy and kicking ass.

Simone Simons from Epica

Simons brings an amazing vocal range to Epica, a symphonic/gothic metal band from the Netherlands. Simons, a beautiful redhead, is a classically-trained vocalist who has been with Epica since they formed back in 2002. Simons is a rare breed in the metal world since she has vowed never to get a tattoo of any sort. Among her various list of influences are Mozart, Nightwish, and Lacuna Coil. Epica recently released their newest album The Holographic Principle.

Cristina Scabbia from Lacuna Coil

When you watch Cristina Scabbia sing, there's something inherently appealing about her. Maybe it's the intensity of her singing combined with her jet-black hair and stunning brown eyes. Anyways, the 44-year-old from Milan, Italy, certainly deserves to make the list. Scabbia boasts an impressive vocal range in Lacuna Coil, a band that mixes melodic metal with chugging riffs and soaring choruses. And the band has a large following these days, with their latest record Delirium going to No. 1 on the iTunes charts in the metal category and No. 10 overall.

Check Out five of the best Metallica songs co-written by Cliff Burton