Wednesday, October 9, 2019

Albums that Spent the Most Time on Billboard Charts

Pink Floyd's Dark Side of the Moon
When you think about some of the truly great albums of all time that have spent time on the album charts, it's worth noting Pink Floyd's Dark Side of the Moon is still top dog.Released way back in March, 1973, the record spent an astounding 953 weeks on the Billboard charts, even spending a week at No. 1 in the U.S.

What's really interesting is it fell off the charts in 1988, only to re-appear with the introduction of the Top Pop Catalog Albums chart in May 1991, and has been a perennial feature ever since. It's a testament to the innovation and song writing the Pink Floyd brought to Abbey Road Studio when they created the masterpiece. 

Floyd's bassist and principal songwriter Roger Waters says he knew the band was onto something amazing when he played it for his wife.

"When the record was finished I took a reel-to-reel copy home with me and I remember playing it for my wife then, and I remember her bursting into tears when it was finished. And I thought, 'This has obviously struck a chord somewhere', and I was kinda pleased by that. You know when you've done something, certainly if you create a piece of music, you then hear it with fresh ears when you play it for somebody else. And at that point I thought to myself, 'Wow, this is a pretty complete piece of work,' and I had every confidence that people would respond to it."

Of all the albums that spent the most time on the Billboard 200, only two of the top five are non-compilations - Dark Side of the Moon and Metallica's Black Album, which sits at No. 4 with 542 weeks on the chart. Bob Marley's Legend (No. 2), Journey's Greatest Hits (No. 3), and Johnny Mathis' Greatest hits (No. 5), are all compilations.

The Black Album Shows Longevity

Metallica's Black Album
Metallica's 1991 record marked a massive change for the thrash band. The San Francisco quartet brought in uber producer Bob Rock to help them find a different sound as the band went from the brutally produced ...And Justice For All to a clear, hard-hitting sound that made the band more accessible to a much wider audience. It also helped that "Enter Sandman" became a staple of modern rock radio. The band also made a concerted effort to slow down, going from pure thrash to more grinding metal.

"…And Justice For All album sounds horrible, awful, can't fucking stand it," says Hetfield "That was our fancy stage, showing off too much. We knew we had to move on and the Black Album was the opposite. So when me and Lars got back together after a short break, I said, 'We gotta really try and write some shorter, to-the-point songs.'"

Metallica fans at the time were outraged the band was "selling out", which they were, to a certain extent, but there aren't many artists who don't want their work to be heard or seen. James Hetfield, Kirk Hammett, Jason Newsted, and Lars Ulrich can't be faulted for wanting to broaden their horizons and change things up.

Time, the ultimate arbiter of what becomes legendary, has shown how well the Black Album has held up and appealed to multiple generations, much like Dark Side of the Moon.



Check Out: How Pink Floyd created The Wall album

Monday, March 25, 2019

New Guns N' Roses Album in the Works

Duff Mckagan, Axl Rose, and Slash 
After wrapping up their "Not in This Lifetime" tour in December, 2018, it looks like the touring Guns N' Roses lineup is going to record a new album. That means three-fifths of the original band will be at it again with vocalist Axl Rose, guitarist Slash, and Duff McKagan on bass. Additional members would include guitarist Richard Fortus and (hopefully) drummer Frank Ferrer.
Slash, McKagan, and Fortus have all said there is an intent to record a new GNR album, but in the Gunner's world, nothing comes quickly. "Oh, it’s real, but the fun part and the cool part about Guns N’ Roses is we don’t really talk about it, and what happens next just happens,” said McKagan, who has heard a few new songs written by Rose, on Trunk Nation. “It’s never been that band that there’s a direct schedule of how we do things. I’ve heard some magnificent stuff that Axl has, really cool stuff he’s been working on. So I’m excited about the possibilities with that, of course. I don’t mean to get anybody rabid. Our day will happen when it happens, that’s for sure.”
Slash echoed those sentiments in an interview in Japan where he noted: “Axl, Duff, myself and Richard have all talked about… there’s material and stuff going on already for a new record,” said Slash. “It’s just, with Guns N’ Roses, you don’t go, ‘Oh, there is a plan, and it’s gonna be like this,’ because that’s not how it works. So, basically, the only real answer to give is we’re hoping to put a new record out, and we’ll just see what happens when it happens.”
Slash currently has touring commitments with Myles Kennedy through August, so presumably the top-hatted one would be working with Rose and the rest of the band after that.
"Slash is on tour right now. Once he gets back from that, we’re gonna get some more recording done and hopefully get an album out soon. And then we’ll get back to touring," Fortus told the St. Louis Dispatch. He went on to say a new record could come around "faster than you think."

Chinese Democracy Took a Long Time to Record

The most recent Guns N' Roses album, Chinese Democracy, which was some 11 years in the works, features only Rose as an original band member. While it would be great for the Gunners to make a record with the original lineup, including drummer Steven Adler and guitarist Izzy Stradlin, chances are it won't happen.
And if the band is indeed working on a new album, knowing Rose's perfectionist OCD tendencies, it likely won't be released in 2019.
Given Rose wrote at least two albums worth of material during the Chinese Democracy period, one wonders how many of those tracks will see the light of day on a new record and get some input from Slash and McKagan.

Can Slash and Axl Rose Get Along?


Rose and Slash rocking it on the "Not in This Lifetime" Tour
Also too, it remains to be seen if Slash and Rose can work together in the studio. Remember those ugliest feuds. In his 2007 biography, Slash stated he left Guns N' Roses because of Rose's constant lateness to concerts, the alleged legal manipulation Rose used (since denied by Rose) to gain control of the band, and the departures of original drummer Steven Adler and guitarist Izzy Stradlin. For his part, Rose stoked the fire with some nasty words in a 2009 interview, saying "Personally I consider Slash a cancer and better removed, avoided — and the less anyone heard of him or his supporters, the better." No doubt Rose knew Slash had lost his mother to cancer and the comments didn't sit well with the guitarist. Rose also told Billboard in 2009 (when there was talk of a GNR reunion back then): "What's clear is that one of the two of us will die before a reunion and however sad, ugly or unfortunate anyone views it, it is how it is."
Well they got together for the reunion tour (money has that type of influence), so fans are hoping they can get through making another album together.

Thursday, March 21, 2019

Appetite for Destruction: Making Guns N' Roses' Masterpiece

Guns N' Roses original lineup back in 1987.
When it comes to debut albums in the rock and roll world, it doesn't get much better than Guns N' Roses' Appetite for Destruction, an out-of-control train that became one of the best-selling albums of all time.
The record burst onto the scene at a time when hair metal was all the rage and spandex suppliers were making a killing. Guns N' Roses and Appetite ripped into the fabric of  L.A.s' hard rock scene and tore it apart with hard-edged tracks and lyrics paying homage to the rock and roll lifestyle and living on the edge.
Recorded from Jan. 18-March 31, 1987 at four L.A. area studios, including The Record Plant, with Mike Clink producing, Appetite for Destruction has sold more than 30 million copies and stands among the finest works in modern rock.
Prior to working with Clink, the Gunners' record label (Geffen) considered hiring uber-producer Robert John "Mutt" Lange, but decided spending the kind of money Lange commandeered wasn't worth it (imagine if Lange had produced the album??!!). So Clink was chosen to oversee the album and got to know the band by recording a test track called "Shadow of Your Love" which was subsequently released as a B-Side for "It's So Easy/Mr. Brownstone" and again in 2018 on the Appetite boxed set.
Finding that they clicked with Clink, the band began work on the album in January 1987 with recording the basic tracks, which took two weeks. Interestingly, Clink was a workaholic who spliced together the best takes with a razor blade and then worked 18 hour days with Slash and Axl Rose on guitars and vocals. 
Slash was having trouble finding a sound he liked, but settled on a copy Gibson Les Paul through a Marshall amp. Drummer Steven Adler says his drum parts took six days, but much of the $370,000 recording budget was used up by Rose, who insisted on recording his vocals one line at time, which took forever and forced the rest of the band out of the studio and into the local watering holes.
Geffen A&R man Tom Zutaut, who took a chance on the band, recalled to Loudwire.com: "There are some bands that just can't be stopped and you can sense it. No amount of alcohol or drugs will slow them down. Guns N' Roses were able to consume those things, yet deliver at a live show and deliver in the studio."

The Songs Make Appetite a Success

Original artwork for the Appetite Cover
What really stands out are the songs on Appetite for Destruction. From the rawness of the tracks to the lyrics, everyone is a testament to what the band was living through at the time: sex, drugs, and rock and roll. They didn't apologize for a song about heroin addiction (Mr. Brownstone), were unrepentant about how wasted they would get ("Nighttrain"), and women who would give them anything they wanted ("It's So Easy"). 
A prime example of the desire to be as authentic as possible came when Rose was set to lay down vocals for "Rocket Queen". He wanted to incorporate the live sounds of having sex on the album, so he asked Adler's girlfriend if she wanted to do it and she said "yes". They had sex in the studio and put the sounds on tape. It's the epitome of what Guns N' Roses is all about.

Appetite Fizzles on Release

When Appetite for Destruction was released on July 21, 1987, it received little fanfare. After six months, it had sold only 250,000 and MTV wasn't playing the "Welcome to the Jungle" video. Finally, after much persuading from Geffen, MTV relented (playing the video at 5 a.m. on a Sunday morning) and gave the song some air time, as did Much Music in Canada. Soon the song was getting tons of requests and the band found a larger audience. But it was "Sweet Child O' Mine" that really took them into the stratosphere when it was released as a single in August, 1988.
Zutaut predicted to David Geffen that Appetite would sell 10 million copies. Turns out even he was wrong.

Check out why Izzy Stradlin was such an integral part of the original Guns N' Roses lineup.


Tuesday, December 18, 2018

Temple of the Dog: An Emotional Rock Masterpiece


There are few hard rock albums packed with as much raw emotion as the stellar Temple of the Dog record.
The 1991 masterpiece from the Seattle supergroup was conceived and written by Soundgarden’s Chris Cornell as a tribute to his good friend Andrew Wood, the lead singer of Mother Lovebone, who died on March 19, 1990 after overdosing on heroin. Interestingly, the name Temple of the Dog comes from the opening lyrics of the Mother Love Bone track “Man of Golden Words”: “I want to show you something, like joy inside my heart, seems I been living in the temple of the dog.”
Cornell and Co. made the record in just 15 days from November to December at Seattle’s London Bridge Studios.
It’s a one-off record that’s about as organic as you will ever hear in rock. Temple of the Dog consists of Cornell, Pearl Jam’s Mike McCready (guitar), Jeff Ament (bass) and Stone Gossard (guitar), as well as Soundgarden drummer Matt Cameron. Additionally, Pearl Jam singer Eddie Vedder sang on the hit song “Hunger Strike”.
For Ament and Gossard, who were in Mother Lovebone with Wood, making the album was something of a cathartic process, as it no doubt was for Cornell as well. He and Wood were roommates at one time.

Amazing Collaboration Led to Unique Vibe

On the collaboration, Ament noted it was “a really good thing at the time” for Gossard and himself. Gossard recalls the recording process as a “non-pressure filled” situation with no pressure from the record company. The guitarist later stated it was “the easiest and most beautiful record we’ve ever been involved with.”
Cornell was the principal songwriter, writing all the lyrics, and most of the music. Two tracks in particular “Say Hello 2 Heaven” and “Reach Down” were written directly in response to Wood’s untimely death. In the chorus of “Say Hello 2 Heaven”, you can just hear the raw emotion in Cornell’s voice, which should give most listener goosebumps, especially near the end of the song.
The late Cornell recorded those two songs, which he described as the first time he’d written anything specifically for a person, as demos and played them for Ament, who suggest the Soundgarden frontman should record them.
Cornell told Rolling Stone he thought Soundgarden could record the two songs on an album as a tribute to Wood. As it turns out, Cornell asked Ament if he’d like to help record the songs. From there they decided to make an entire album, forming Temple of the Dog in the process.
The members of band recall the impact Cameron had on the record. “Once we started playing with Chris and Matt, the songs took on a different life, especially from Matt’s end. His playing becomes the hook on a lot of the songs. The part that he came up with on “Wooden Jesus” is such an iconic drum song to me. It’s such a riff and so musical. His playing dictated that we leave space in those songs. To my ears, that’s what makes the record really unique and fun to listen to,” Ament said in Rolling Stone.
Another standout, emotional track is “Times of Trouble” which details the trappings of heroin and how a user can hold on and overcome the addiction, even when it seems there is no hope left. Sadly, Wood’s addiction got the best of him just as Mother Lovebone was about to serve notice as a premier Seattle rock and roll band.
After laying down nine songs, Cornell wanted to make it an even 10 tracks to fill the Temple album. That’s when the band decided to lay down “Hunger Strike”, which Cornell had written a few months prior to the Temple sessions. It wasn’t finished but he recalls how Vedder, who had just joined Pearl Jam at the time, came to add vocals: “I thought that “Hunger Strike” would be a good message to end the album on, but it wasn’t complete. It was just one verse. I was singing the chorus in the rehearsal space and Eddie just kind of shyly walked up to the mic and started singing the low “going hungry” and I started singing the high one. When I heard him sing, the whole thing came together in my brain. I just felt like, ‘Wow, his voice is so great in this low register. He should sing on it. I’ll sing the first verse and then he’ll come in. Even though it’s the same lyrics, it’s a different singer and it’ll feel like two verses’,” recalled Cornell in a Rolling Stone interview.
For Temple of the Dog fans, there are rumors out there that a live album might soon be released with songs taken from the band’s 2016 tour.
With Cornell’s death in 2017, there will never be another Temple of the Dog tour or album. Fortunately, music fans can still reach out and listen to the 1990 masterpiece, which will stand the test of time.

Check out the making of Soundgarden's Louder Than Love album

Friday, November 16, 2018

How the Red Hot Chili Peppers Matured as Songwriters

A sure sign of a great band is its ability to evolve and still maintain it's core essence.

Over the years (we're talking 34 years now since their first album), the Red Hot Chili Peppers have constantly shifted their sound but album after album, they continue to mature as songwriters.

For a band that started out as a funk-rock-punk outfit, the current incarnation of vocalist Anthony Kiedis, bassist Flea, drummer Chad Smith and guitarist Josh Klinghoffer have successfully transitioned into a solid rock outfit that's not afraid to stretch the sound by adding synthesizers or disco beats.

Back in the early 1980s as a band starting out, the Peppers wrote songs that broke the mold, becoming one of the first bands to merge metal, rap, and funk. "True Men Don't Kill Coyotes" from their self-titled 1984 debut is a prime example of the band's early songwriting.

Their next two albums contained similar songwriting styles and on "Fight Like A Brave" from The Uplift Mofo Party Plan, the band strengthened their craft with more meaningful lyrics as Kiedis detailed one of his many battles with heroin, a drug that claimed the life of original guitarist Hillel Slovak in 1988.

The band really began to mature in 1998, after Slovak's death, on their Mother's Milk album. Songs like "Knock Me Down", "Johnny, Kick a Hole in the Sky", and the brilliant instrumental "Pretty Little Ditty" showcase a band that's coming into its own, with profound lyrics, a better sound, and deeper musical grooves."

Following up on the commercial success of Mother's Milk, the Chilis hired uber-producer Rick Rubin and released Blood Sugar Sex Magik in 1991. Again, the band continued to evolve, with "Under the Bridge" reaching No. 2 - a song brought to the band by Kiedis, who didn't think it was good for the band's modus operandi, but Rubin convinced him it was a worthy track. It's another example of the group digging deeper and not being afraid to stick with one style of music.

Fast forward to 2002 and the album By the Way. RHCP by this time had mellowed out in a big way. It's their least funky record but a song like "Can't Stop" hearkens back to the Blood Sugar Sex Magik days. And a song like "On Mercury" showcases a serious ska/reggae influence. Then there's the title track, with the phenomenal vocal harmonies of Kiedis and former guitarist John Frusciante. At this time, the guitarist had cleaned up in rehab, was happy, and became instrumental in the songwriting, leaning on influences from the Beach Boys and The Beatles. "By the Way" is a roadmarker in how the Chilis had evolved to that point, as was the whole album.

The L.A. band's most recent effort (their 11th album), the amazing The Getaway really is among their best work. A real California rock record that shows them at their peak in terms of melody, feel, and groove. "Dark Necessities", "Go Robot", and "Sick Love" (featuring Elton John - who would have thought that in 1984?)are among the finer tracks RCHP has ever laid down. Take "Sick Love", which boasts the base chord structure of John's "Bennie and the Jets". It's a song that encompasses four decades of musical influences, shining strong in one song.

For longtime fans who has been fans since the 1980s, the Red Hot Chili Peppers have proven themselves to be an ever-changing, evolving fountain of youth in terms of their songwriting. For music fans, that's about as good as it gets.